‘On the walk along the shoreline, I noticed clumps of kelp had been washed in with the tide.

I am attracted by the timeless and ever-changing place where the sea washes across the edge of land. On this occasion, the kelp offered another element - an offering from the sea.

At first, I opened the shutter for about 5 minutes but found the incoming tide was advancing too fast and kept washing the kelp out of the frame.

I reduced the time to around 2 minutes and chose the clumps furtherest from the incoming waves - but still in danger of being moved by the sea because I wanted to show the blur of the water.

It took a few attempts, but eventually, I made three pictures where the waves came close enough to wash over the sand in the background but not so close as to move the subject during the exposure.

The movement you can see on the edges of the kelp is due to the strong nor'easter blowing that afternoon - one more player in the complexity and beauty of the shoreline.’

Kelp, Blacksmiths Beach, Lake Macquarie, Australia. #1696

Every picture I have made encapsulates the essence of my story. Whether it is intricate details, obscure abstracts, or expansive vistas, each piece is unique. The artistry in my archival, museum-quality prints is crafted to evoke emotion and capture moments in time.

This Limited Edition is available in three sizes, with a maximum of five prints plus up to two Artist Proofs.

The giclée prints are made on archival, museum-quality, cotton rag paper and can be supplied framed or rolled ready for your preferred framer.

Larger prints are sized to boldly dominate a wall. As I treat each scene individually, different pictures may have bespoke crop or form factors.

Foley Fine Art Prints are printed on either Ilford Prestige Galarie Smooth Cotton Rag or Hahnemühle Photo Rag heavyweight stock using state-of-the-art, museum-grade printers and archival inks. The fine art giclée prints, crafted with precision on a professional inkjet printer, are archival quality and guaranteed not to fade or bleed for up to 100 years, making them the industry standard in galleries and museums worldwide. The Paper Size allows for at least a 20mm white border around the image. The border may vary according to the picture's format. Contact me if you have any questions or special requests.

For Australian-based clients: If you choose one of the framing options, your giclée print will be dry-mounted to an acid-free 5 mm foam board using an archival adhesive film. It is then placed in a hand-crafted shadowbox frame made from FSC-certified Tasmanian Oak and protected by durable 3mm museum-grade plexiglass. The back of the frame is finished with framer’s tape and stainless steel hanging wire. A signed Certificate of Authenticity is supplied to be attached to the back of the frame.

‘I make photographs to hang on walls and be appreciated for lifetimes. The soft texture of these bright white papers is integral to how I want you to see and ‘feel’ my work.’

For transport reasons, square format prints can only be framed in the Medium (60x60cm) size. Larger prints should be taken to your local framer.

Free 14 - 21 days Australia-wide delivery via trackable courier. Fully insured for damages. 

I make it easy to shop confidently at my online gallery and be completely happy with the art, production values and delivery - seamless, secure online purchases with Visa and MasterCard through Stripe & PayPal and Apple Pay & Afterpay. I do not see, collect or store any card information.

Returns on damaged or lost artwork: In the unlikely event of receiving damaged artwork, don't hesitate to contact me within 48 hours with pictures. Once confirmed, I will endeavour to replace the edition free of cost. If I cannot replace the edition, I will arrange a refund.Returns on damaged or lost artwork: In the unlikely event of receiving damaged artwork, don't hesitate to contact me within 48 hours with pictures. Once confirmed, I will endeavour to replace the edition free of cost. If I cannot replace the edition, I will arrange a refund.