'“A photograph isn’t real until you can touch it.” This is a quote by...umm... me

This picture is important to me for a number of reasons.

Firstly, it was difficult to get to the place where the waves washed through without washing me away (and still make an interesting picture). Secondly, choosing a composition when using a very wide lens pointed down is always fiddly. Even more so when trying to show detail in the distance. Being off by a few millimetres can completely ruin a picture. So technically and physically I am pleased with my efforts.

More importantly, for me, the significance of this image lies in how ‘wet’ it looks when printed on a thick, cotton rag paper. I’m proud to say that, at least on this occasion, I did my job well. And I chose the best equipment and techniques to match my creativity, skill and experience.

Bumping up the contrast and saturation is great to boost the love on Instagram or 500px. And printing images on metallic paper and mounting behind high gloss acrylic also adds a lot of bling.

To me, though, printing on real paper is when an art lover can properly hold the pixels. It is the next best thing since capturing on film and printing directly from a negative. And not so easy to thumb swipe away.

Cathedral Rock, Kiama, East Coast Australia. #3055

Every picture I have made encapsulates the essence of my story. Whether it is intricate details, obscure abstracts, or expansive vistas, each piece is unique. The artistry in my archival, museum-quality prints is crafted to evoke emotion and capture moments in time.

This Limited Edition is available in three sizes, with a maximum of five prints plus up to two Artist Proofs.

The giclée prints are made on archival, museum-quality, cotton rag paper and can be supplied framed or rolled ready for your preferred framer.

Larger prints are sized to boldly dominate a wall. As I treat each scene individually, different pictures may have bespoke crop or form factors.

Foley Fine Art Prints are printed on either Ilford Prestige Galarie Smooth Cotton Rag or Hahnemühle Photo Rag heavyweight stock using state-of-the-art, museum-grade printers and archival inks. The fine art giclée prints, crafted with precision on a professional inkjet printer, are archival quality and guaranteed not to fade or bleed for up to 100 years, making them the industry standard in galleries and museums worldwide. The Paper Size allows for at least a 20mm white border around the image. The border may vary according to the picture's format. Contact me if you have any questions or special requests.

For Australian-based clients: If you choose one of the framing options, your giclée print will be dry-mounted to an acid-free 5 mm foam board using an archival adhesive film. It is then placed in a hand-crafted shadowbox frame made from FSC-certified Tasmanian Oak and protected by durable 3mm museum-grade plexiglass. The back of the frame is finished with framer’s tape and stainless steel hanging wire. A signed Certificate of Authenticity is supplied to be attached to the back of the frame.

‘I make photographs to hang on walls and be appreciated for lifetimes. The soft texture of these bright white papers is integral to how I want you to see and ‘feel’ my work.’

For transport reasons, square format prints can only be framed in the Medium (60x60cm) size. Larger prints should be taken to your local framer.

Free 14 - 21 days Australia-wide delivery via trackable courier. Fully insured for damages. 

I make it easy to shop confidently at my online gallery and be completely happy with the art, production values and delivery - seamless, secure online purchases with Visa and MasterCard through Stripe & PayPal and Apple Pay & Afterpay. I do not see, collect or store any card information.

Returns on damaged or lost artwork: In the unlikely event of receiving damaged artwork, don't hesitate to contact me within 48 hours with pictures. Once confirmed, I will endeavour to replace the edition free of cost. If I cannot replace the edition, I will arrange a refund.